λΌμ›€μ½˜

λΌμ›€μ½˜μ€ Qλ ˆμ΄ν„°μ™€ μ†‘μ§€μ€μœΌλ‘œ κ΅¬μ„±λœ μ•„ν‹°μŠ€νŠΈ λ“€μ˜€λ‹€. β€˜λΌμ›€μ½˜β€™μ€ λ² λ₯΄λ‹ˆμΌ€ 싀어증 μƒνƒœμ—μ„œ β€˜μ–‘μΉ˜μ§ˆβ€™μ„ μ˜λ„ν•˜λ©° μ‚¬μš©λœ μ°©μ–΄λ‘œ, μ„œλ‘œμ˜ 언어와 감각이 μ–΄κΈ‹λ‚˜λŠ” κ²½ν—˜μ„ λ‚΄ν¬ν•œλ‹€.

λΌμ›€μ½˜μ€ λ“œλ‘œμž‰, μΈν΄λ£¨μ‹œλΈŒ λ””μžμΈ, 퍼포먼슀, μ˜μƒ, μΈν„°λž™ν‹°λΈŒ μ„€μΉ˜, μ›¨μ–΄λŸ¬λΈ” 였브제, μ•„μΉ΄μ΄λΈŒλ₯Ό 톡해 μ„œλ‘œ λ‹€λ₯Έ λͺΈμ΄ μ—°κ²°λ˜κ³  ν•¨κ»˜ μ›€μ§μ΄λŠ” 방식을 νƒκ΅¬ν•˜λ©°, 각각의 신체λ₯Ό μ„œλ‘œ κΈ°λŒ€κ³  흔듀리며 반볡적으둜 κ· ν˜•μ„ μˆ˜μ •ν•΄κ°€λŠ” 감각적 관계 ꡬ쑰둜 바라본닀.

λ‹€λ₯Έ μ†λ„λ‘œ ν•¨κ»˜ κ±·κΈ° μœ„ν•œ 쑰율의 κ³Όμ •, νƒ€μžμ˜ κ°œμž… 없이 ν•œ μ†μœΌλ‘œ μ‚¬μš©ν•˜λŠ” 였브제 μ‹€ν—˜, 였λ₯˜μ™€ μ‹€νŒ¨λ‘œ 뒀엉킨 언어와 μ†Œλ¦¬λŠ” μΌμƒμ˜ κ²½ν—˜μ—μ„œ μΆœλ°œν•œ μž‘μ—…μ˜ μ£Όμš” μš”μ†Œλ‹€. 두 μ‹ μ²΄λŠ” μ„œλ‘œλ₯Ό 끌고 λ°€λ©° 리듬을 μ‘°μœ¨ν•˜κ³ , ν•œμͺ½μ˜ 흔듀림은 λ‹€λ₯Έ λͺΈμœΌλ‘œ μ „μ΄λœλ‹€. κ·Έ μ‚¬μ΄μ—μ„œ λ°œμƒν•˜λŠ” μ§€μ—°κ³Ό 마찰, 였λ₯˜μ™€ λ°˜λ³΅μ€ μ œκ±°λ˜μ–΄μ•Ό ν•  μ‹€νŒ¨κ°€ μ•„λ‹Œ μ„œλ‘œκ°€ μ—°κ²°λ˜λŠ” μ›€μ§μž„μœΌλ‘œ 닀뀄진닀.

졜근 λΌμ›€μ½˜μ€ 감각적으둜 μ—°κ²°λœ μ‹ μ²΄μ˜ μ›€μ§μž„μ„ λΆˆνŽΈν•˜κ³  λΆˆμ•ˆμ •ν•œ 쑰각 ꡬ쑰둜 ν™•μž₯ν•˜μ—¬ 감각의 차이 μ†μ—μ„œ λ‹€μ–‘ν•œ νƒ€μžμ™€ μ—°κ²°λ˜λŠ” 방식을 νƒκ΅¬ν•˜κ³  μžˆλ‹€. κ·Έ κ³Όμ • μ†μ—μ„œ μž‘μ—…μ€ λͺΈκ³Ό μ–Έμ–΄, μ›€μ§μž„κ³Ό ν™˜κ²½ μ‚¬μ΄μ—μ„œ λŠμž„μ—†μ΄ μˆ˜μ •λ˜κ³  μž¬μ‘°μœ¨λ˜λŠ” μ—°κ²° μƒνƒœλ₯Ό λ§Œλ“ λ‹€.

laumkon

laumkon is an artist duo composed of Qrator and Jee Song. β€˜laumkon’ is a coined term used during a state of Wernicke’s aphasia, intended to mean β€œto brush one’s teeth,” carrying an experience of misalignment between language and sensation.

laumkon explores ways in which different bodies are connected and move together through drawing, inclusive design, performance, video, interactive installation, wearable objects, and archival practices. Each body is approached not as an independent structure, but as a relational configuration that leans, is supported, and continuously recalibrates through instability.

Processes of coordinating movement while walking at different speeds, experiments with one-handed objects without external assistance, and language and sound entangled through error and failure emerge from everyday situations as core elements of the practice. Two bodies pull and adjust each other’s rhythms; instability in one body is transmitted into the other. Within this process, delay, friction, error, and repetition are not treated as failures to be eliminated, but as conditions through which connection is formed.

Recently, laumkon has expanded its sensorially connected bodily movements into unstable sculptural configurations, where movement, balance, and support are constantly negotiated. The work constructs continuously revised and recalibrated states of connection between body and language, movement and environment.